a new opera-theater work
on the inner mythic landscape of grief
Creative Leads

Creator & Composer
Elliot Ménard
Elliot Menard is an opera-maker—a vocal performer, composer, and producer—working at the nexus of opera-theater, new music, and experimental performance. As a composer, Elliot explores how text allows music to emerge and the expressive range of the voice. Awarded the 2026 William and Solange Brown Fellowship for New Music Composition at Ragdale, she was recently composer in residence at Millay Arts and the Kimmel Harding Nelson Center for the Arts. Her work has been programmed at Highways Performance Space (“Southern California’s boldest center for new performance”), the Hear Now Music Festival, CalArts, the N.E.O. Voice Festival, Open Gate Theatre, and Renegade Opera. As a versatile mezzo-soprano, Elliot brings her sincere and sensitive artistry to interdisciplinary and polystylistic music-theater projects. Recent performance highlights include Metabolic Studio’s Bending the River: An Oratorio, Overtone Industries’ production of Songs and Dances of Imaginary Lands as part of Opera Fest LA, CalArts’ production of Here Be Sirens (by Kate Soper) as Polyxo, and New Opera Days Ostrava’s premiere of Partial Memories (by Judith Berkson).

Director & Co-Creator
Héctor Àlvarez
Héctor Àlvarez is an interdisciplinary artist working in performance, theater, film, and opera. His work has been praised as “visually gorgeous and fulsome, so rich and sensitive in detail” (The Chicago Reader) and has been presented in New York, Los Angeles, Chicago, Madrid, Hong Kong, and Mexico City. He is a Princess Grace Award Winner, Drama League Directing Fellow, Watson Fellow, and was artist in residence at the Antonio Gala Foundation (Spain). In 2025 he was awarded Opera America’s Robert L.B. Tobin Director-Designer Award. Recent directing credits include the operas Umbra by Elliot Menard and Here Be Sirens by Kate Soper; the plays My Foot My Tutor, Antigonick, Roberto Zucco and The Water Station; and We’re Gonna Die, a film re-imagining of Young Jean Lee’s existential cabaret about mortality. The film was created in isolation during the COVID-19 pandemic and was named one of 2020’s Top Cultural Picks by WDCB’s The Arts Section. He now lives in Atlanta, where he is assistant teaching professor of Theater Studies at Emory University.